Join me in harnessing the transformational powers of creative expression to reclaim our voices, create meaning, and become agents of change.
This ecosystem is built on a simple premise: healing requires truth. We do not break free by sanitizing what has happened to us, or by smoothing violence into something more palatable for the comfort of others. By bringing poetry, philosophy, psychological theory, art, and advocacy into conversation, we can see more clearly what is often made invisible: the violence that shapes the lives of women and children, and the mechanisms that keep it in place—silencing, erasure, and the misuse of authority. By naming the patterns through which credibility is policed and violence is normalized, we refuse to launder predation, violence, and oppression as tenderness.
In 2005, I shared a single poem—“What I Was Wearing”—that helped spark a global movement against victim-blaming. Over time, it became part of the foundation for the “What Were You Wearing?” art installation exhibits now hosted in communities around the world. These exhibits invite survivors of gender-based and sexual violence to reclaim their stories, challenging the victim-blaming myths that protect perpetrators and keep the mechanisms of violence hidden in plain sight. (You can watch and listen to a performance reading of “What I Was Wearing” here.)
In recent years, I have been leading writing workshops with survivors of gender-based and sexual violence, and people with lived experiences of grief and loss. Writing together fosters a community of belonging, in which we discover that we no longer have to be alone. Some of the writings from these workshops have been brought together in anthologies that dismantle victim-blaming and expose the realities of sexual and gender-based violence, and the traumatic and lasting imprints of predatory events. A third anthology, Making Space for the Light, is forthcoming in 2026.

This work is consequential and remains urgent. As I know from the loss of my mother-in-law in a targeted act of femicide, not everyone survives. Making Space for the Light: Documenting the Violence that Shapes the Lives of Women and Girls is dedicated to the memory of Keira Kagan, who was murdered on February 9, 2020 by her father in a predictable and preventable act of gender-based violence and coercive control. Keira was just four years old at the time of her murder. A violent offender, her father had unsupervised court-mandated access to Keira, despite clear and known warnings to the systems charged with her protection. The courts and child protective services knew the dangers he posed to her and failed to take the necessary actions that would have protected Keira and saved her life. With Keira’s murder, we are reminded of the ongoing and urgent need for education about the widespread dangers of gender-based violence, accountability from the systems charged with protection, and immediate action for all who seek safety and refuge, especially our most vulnerable.
This is a place where we talk about what we are told not to say, because refusing silence is part of how change begins. Things can be different, and we can do better. If you are ready to join me in that work, there is a place for you here. Together we can reclaim our voices, create meaning, and build communities of belonging.
— Mary Simmerling
Write Where We Belong is a multifaceted Canadian literary and arts organization focused on using writing and art as tools for social justice. With a core dedication to advancing social justice, ending violence, and harnessing the powers of the creative self, Write Where We Belong hosts workshops, literary and arts events, and provides editing and production services for creative works. Write Where We Belong Press curates, edits, and publishes writing that emerges from the layered geographies of structural and gender-based violence, grief, loss, and hope.
By creating spaces for writers and artists of all levels to explore, discover, and share their stories, we hope to cultivate new conversations that will be the impetus for change. Things can be different. We can do better, together.
I am a poet, scholar, and activist dedicated to advancing social justice, ending violence, and fostering healing. I lead writing workshops with survivors of gender-based and sexual violence and trauma, as well as people with lived experiences of grief. I am committed to listening to, nurturing, and freeing silenced voices and amplifying voices of rebellion, reclamation, and resistance.
My interests include applied ethics, social justice, the principles and philosophical tenets of Adlerian psychology, trauma recovery, and harnessing the healing powers of the creative self through creative writing and art. I have a diverse yet complementary background in fine art, philosophy, social justice, Adlerian psychology, and applied ethics. I hold a PhD in philosophy from the University of Illinois at Chicago, where I specialized in applied ethics and social justice. I also hold an MA in psychology (non-clinical) from Adler University, where I studied Adlerian theory, focusing on the roles of narrative agency and post-traumatic growth.
I currently serve as the Senior Research Advisor & National Leadership Council member at RAINN (Rape Abuse & Incest National Network), and am a Member of the League of Canadian Poets.
I believe that poetry and art can be powerful tools for personal healing, transformation, and social change. My poem “What I Was Wearing” challenges harmful questions and responses to disclosures of sexual assault that inappropriately blame victims rather than perpetrators, thereby retraumatizing victims and perpetuating false narratives about sexual violence. “What I was wearing” is the inspiration for thousands of global grassroots art exhibits “What Were You Wearing?,” that invite survivors to contribute their own stories and representations of the clothing they were wearing when they were assaulted. Like the poem, the exhibitions seek to upend victim-blaming myths and raise awareness of the far-reaching and long-lasting impacts of sexual violence and the healing powers of empowering survivors to reclaim our own stories. In 2019, a group of high school students in the UK got together and created an original music composition based on my poem, which won the BBC's 2020 Young Composer's Award. You can listen to Edward Atkins's award-winning composition "What Were You Wearing?" here.
In 2024, I curated, edited, and produced a first of its kind anthology of writing from workshops I led with survivors of sexual violence. We’ve Been Put Through Fire & Come Out Divine: Stories of Hope & Survival not only gives voice to survivors, but seeks to upend false narratives about sexual violence. For example, the thinly veiled accusation that lies behind the question so many survivors are often asked: "What were you wearing?" This innovative work represents a new pathway for survivors and those who interact with us to gain a deeper understanding of the impact of sexual violence on us as individuals and communities.
IMPORTANT NOTE: I am a philosopher, poet, scholar, researcher, and writing facilitator. I am not a Registered Psychotherapist, Psychologist, therapist, or medical professional. The workshops I offer are for creative and educational purposes only and do not constitute medical or psychological treatment. If you are experiencing a mental health crisis, please contact a regulated health professional.
Discover the power of your creative genius to reclaim your story, advocate for social justice, and create meaning through art.
We curate produce, edit, and publish poetry, prose, and anthologies that center truth-telling, creative recovery, and the power of art to create space to bear witness. Our authors write from lived experience, bringing forward work that transforms personal and collective experience into meaning, healing, and hope.
What others say about the Press: "Write Where We Belong Press—like its visionary leader, Mary Simmerling—is a revolution in print. As the force behind it, Mary is a beacon of integrity and courage, someone who knows how to honor and support the unique voice each writer, working collaboratively to midwife every story into print, ensuring that each and every writer is seen, heard and celebrated in the most powerful way.” — Elizabeth Perlman, founder of The Intuitive Writing Project and author of Word Magic
